A Language All Her Own: Franciszka Themerson at l’etrangere

It seemed to me that the interrelation between these two sides: order in nature on the one side, and the human condition on the other, was the undefinable drama to be grasped, dealt with and communicated by me. – Franciszka Themerson, Bi-abstract Pictures, 1957

One of our favourite London gallery’s, l’étrangère, is coming to us November 4 with a brand new solo exhibition of paintings drawings and calligrammes by Franciszka Themerson, a seminal figure in the Polish pre-war avant-garde.

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Calligramme XXIII (fossil); Black, gold and red paint on paper, 1961

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100 for £100: International Day of Peace with Ray Harmon at 129 Kingsland High Street

ArtAttack, the first social networking app designed exclusively for the art world, is delighted to announce its first exclusive print release, a limited edition work by American media artist and painter Raymond Salvatore Harmon. Entitled ‘A World Without War, it has been produced to mark World Peace Day, which takes place on September 21st, and is part of ArtAttack’s ‘100 for 100,’ (100 prints will be mae in editions of 100, each selling for £100).

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The print marks the beginning of the platform’s collaboration with the world’s most promising emerging artists, giving them the opportunity to sell their work to a network of global collectors, and in turn providing collectors with the chance to buy an affordable piece of exciting art.

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Danny Rolph comes home: ‘East Central’ at CNB Gallery

British painter, Danny Rolph, comes to London with East Central thanks to CNB Gallery this September. The exhibition is made up of four large-scale paintings, all of which have been inspired by the areas of London in which Danny grew up, namely EC1, EC2, EC3 and EC4. As a child he would stand in the kitchen of his parents’ high rise flat just off the City Road staring at the city below, and in these works, which unite painting with collage, he has recreated those memories in abstract forms.

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EC2, 2016, Mixed media on Triplewall

Of the works, he says: ‘I grew up in the sky, one hundred foot above City Road. The view from our kitchen window contained sunset and sunrises of the type that Tiepolo imagines populated by architectural silhouettes of St Paul’s, the Old Bailey and the Post Office Tower.’

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Keith Coventry: ‘White Black Gold’

Keith Coventry‘s latest exhibition at the Pace Gallery in London, ‘White Black Gold,’ will be on view at the ground floor galleries of 6 Burlington Gardens until 28 May 2016.

The artist archly monumentalises the bleak debris of our cultural landscape with an exhibition which ‘ennobles the ignoble’.

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Destroyed Shop Window (2016), Bronze

McDonalds ‘Golden Arches’ are now a well-worn emblem of late capitalism, so programmed into the popular imagination, that Coventry need only depict a colorless fragment of the golden ‘M’ for his audience to be bombarded with a litany of red, yellow and white memories – of bombastic adverts, Happy Meals and any host of relatable motifs that have come to represent 20th Century American capitalism.

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Yayoi Kusama Comes to London! An immersive exhibition at Victoria Miro.

Victoria Miro presents a new exhibition by Yayoi Kusama. Spanning the gallery’s three locations and waterside garden, the exhibition features new paintings, pumpkin sculptures, and mirror rooms, all made especially for this presentation.

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MY HEART’S ABODE, 2016.

This is the artist’s most extensive exhibition at the gallery to date, and it is the first time mirror rooms have gone on view in London since Kusama’s major retrospective at Tate Modern in 2012.

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Painting has always played a Part in My Life- ArtAttack Interviews Christian De Wulf.

ArtAttack‘s next The Other Art Fair artist interview is particularly unique and will undoubtedly capture attention due to artist Christian De Wulf‘s original trade, psychotherapy. De Wulf uses this background extensively in his creative process, interpreting his understanding of the psyche into imaginative pieces of art work.

The Belgium-born artist believes that the underlying psyche of an individual is not easy to determine and in his work, looks at what happens if you magnify those inner-most thoughts, emotions and feelings.

Personally, what I find most interesting about De Wulf is that he is not just an artist/art lover, but works alongside seemingly non-art related personal interests to create his works. Of course, his collections resonate in modern society due to the extensive connection between art and therapy and the contemporary use of art therapy. 

What first appears quite simple — acrylic paint and canvas — involves a great deal more than meets the eye and we are delighted to share this with you.

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Exhibition Alert: Georg Baselitz, Wir fahren aus, at White Cube Bermondsey

White Cube Bermondsey will present a major exhibition of works by Georg Baselitz, including ‘new large-scale paintings, sculpture and works on paper.’

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Georg Baselitz, Oh, rose, oh rose, (Ach, rosa, ach rosa), 2015 | © Georg Baselitz. Photo © Jochen Littkemann Courtesy White Cube

The exhibition draws together two strands within the artist’s practice: portraiture and the process of ‘remixing’, in which images are repeated and reinterpreted over time using different techniques and mediums.

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“A real sweating needs to take place in terms of personal development before any progress is made” – ArtAttack Interviews Raymond Salvatore Harmon

ArtAttack sat down with London-based, American artist Raymond Salvatore Harmon (of whom we are now proud collectors!) to learn about his latest gripping work, ‘Elliptical Confinement’, hear his expert tips for young London artists and generally take in his vast art world wisdom.

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Raymond Salvatore Harmon, ‘Elliptical Confinement,’ 2016

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Tate Modern: The EY Exhibition ‘The World Goes Pop’ & ‘Blindly’

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ArtAttack visited the Tate Modern today and experienced a rollercoaster of emotions. On the one hand, we viewed an exhibition everyone should see, ‘The EY Exhibition: The World Goes Pop,.’ to develop their minds on traditional Pop Art and its’ relationship with politics, culture and feminism. In complete contrast we were privileged to view an artists’ experiment ‘Blindly,’  a painting workshop with a small group of visually impaired participants. 

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