In anticipation of Riflemaker‘s upcoming Being and Time, an exhibition of new works by Philipp Rudolf Humm, we are thrilled to have been able to speak with the Belgian/German artist about his practise.
Humm’s paintings are infused with art history references, in particular of the Renaissance and Pop art. From these inspirations and other sources, he creates playful mise-en-scènes that allow him to comment on the world around him.
Indoctrinated, Oil on canvas; 2016. Courtesy of the Artist and Riflemaker.
Humm works in oil, using bold colours and familar scenes. His paintings are both dramatic and fun. We anticipate this exhibition to be a truly exciting and unique event on your art calendar this year
In anticipation of the opening of Searching for Eve in the American West at Tristan Hoare, ArtAttack had the chance to speak with photographer Maryam Eisler about her collection of work on view and general artistic practise.
Inspiration for the exhibition comes from Eisler’s visit to Ghost Ranch in Abiquiú, New Mexico, former home and studio of renowned American Modernist Georgia O’Keefe. Eisler spent time in the desert on her trip, working day and night as she traveled further and further into the nature of the area.
She recalls, ‘The search for Eve, my muse, somewhere between the majestic heavens and Mother Earth, standing atop the rocky inclines, as sensual and as powerful as the monumental nature that had surrounded her.’
We spoke to Maryam to delve deeper into her experience, the specifics of this show and also to hear about her beginnings as an artist.
It seemed to me that the interrelation between these two sides: order in nature on the one side, and the human condition on the other, was the undefinable drama to be grasped, dealt with and communicated by me. – Franciszka Themerson, Bi-abstract Pictures, 1957
One of our favourite London gallery’s, l’étrangère, is coming to us November 4 with a brand new solo exhibition of paintings drawings and calligrammes by Franciszka Themerson, a seminal figure in the Polish pre-war avant-garde.
Calligramme XXIII (fossil); Black, gold and red paint on paper, 1961
Walking into Tristan Hoare today I suddenly felt transported into another world. The hustle and stress of my busy Tuesday could do nothing but fade away in the symphony of black and white that is their latest exhibition, Ensō.
Coming soon to Hoxton Gallery is Unseen Paintings, 1954-1960, a thrilling survey of works in oil by the late British artist Keith Cunningham.
This will be one those exhibitions where perhaps the story is just as fascinating as the works themselves. Keith Cunningham was one of the most promising artists of the 1950’s, graduating from the Royal College of Art, studying alongside Frank Auerbach and Leon Kossoff, even being approached by Beaux Arts Gallery and showing work with the prestigious London Group. For all intensive purposes, Cunningham was going to “make it.”
Selection of works by Keith Cunningham. Courtesy of Bobby Hilson and Hoxton Gallery.
From this Friday 16 September, Tintype presents Suki Chan’s intrigiung solo exhibition, Lucida. Combining images, bio-medical research and individual testimonies, the interactive three-screen installation explores the fascinating relationship between the human eye, brain and vision.
Suki Chan, Lucida, HD video still, 2016 C. Suki Chan
Huge congratulations to Joshua Raz, Newcastle University grad and official winner of this year’s prestigious HIX Award.
Joshua Raz, Indoor Outdoor Tropics, Oil paint and gold leaf on canvas, 2016
Launched in 2013, the HIX Award was conceived by famed restaurateur Mark Hix and the director of CNB Gallery, Rebecca Lidert. It is specifically designed for emerging artists in the hopes that it can be their first step towards a career after university.
British painter, Danny Rolph, comes to London with East Central thanks to CNB Gallery this September. The exhibition is made up of four large-scale paintings, all of which have been inspired by the areas of London in which Danny grew up, namely EC1, EC2, EC3 and EC4. As a child he would stand in the kitchen of his parents’ high rise flat just off the City Road staring at the city below, and in these works, which unite painting with collage, he has recreated those memories in abstract forms.
EC2, 2016, Mixed media on Triplewall
Of the works, he says: ‘I grew up in the sky, one hundred foot above City Road. The view from our kitchen window contained sunset and sunrises of the type that Tiepolo imagines populated by architectural silhouettes of St Paul’s, the Old Bailey and the Post Office Tower.’
After following the progression of this year’s SOLO Award since the competition was first announced, we are so thrilled to share that a winner has been selected!
Hopefully, you had a chance to view the incredible shortlisted artists’ works on our ArtAttack App, which we were honoured to exclusively showcase on the ‘Curated Art’ page. Well, one of these talented creatives is now the big winner! We are thrilled to introduce Victoria Lucas!
Victoria Lucas, ‘Lay of the land (and other such myths,’ Detail of installation, Dimensions variable, 2016.
Victoria is a Sheffield-based artist represented by Mark Devereaux Projects. She received her BA (hons) in Fine Art (Sculpture) from Norwich School of Art and Design in 2004, followed by her MFA Fine Arts from the University of Leeds in 2007. Currently, she is a Fine Art Lecturer at the University of Central Lancashire, Preston.
Victoria’s artworks are often initiated by a physical encounter with a place, site or landscape. By concentrating on these contexts and their current or former inhabitants, she develops conceptual narratives that subvert and categorise events and myths using a site’s materiality as a catalyst.
We had the chance to speak with Victoria about her SOLO Award victory and greater artistic practice.