Mark Dziewulski, recognised by Robb Report as one of the world’s top thirty architects, makes a bold foray into the arts with a new series of paintings and sculptures now on view at Gallery Different (14 Percy Street, London, W1T 1DR) from 26th April to 1st May 2018. The new work launched at the Venice Biennale 2017, and has now made its way to London for its UK debut. Dziewulski’s work is next set to travel to New York, Seoul, Busan and Daegu this year, so make sure to catch it first here in London.
The main body of works on display are abstract portrait paintings that Dziewulski refers to as “painted digitals” that intend to capture his subjects’ life-force, or their ever-changing motions and emotions. His art is imbued with visceral architectural themes, testing the limits between figurative representation and abstraction.
Dr. David Anfam, one of the world’s leading experts on Abstract Expressionism (who was consulted as the go-to expert on the particularly contentious Rothko art forgery case), has likened Dziewulski’s work to the Wallace Stevens poem, “Life is Motion,” drawing on its central themes of movement, memory and time.
London born, Dziewulski’s UK exhibition has particular personal significance. For art aficionados interested in meeting Dziewulski, the San Francisco based artist is due to attend the Closing events on the 30th of April.
Mark Dziewulski: Layers of Self is on view at Gallery Different (14 Percy Street, London, W1T 1DR) 26 April-1 May
“Our deeds still travel with us from afar/And what we have been makes us what we are.” – George Eliot, Middlemarch
18 November saw the opening of Firstsite’s latest exhibition, The Life of Julie Cope by Turner Prize-winning artist Grayson Perry. The show features four large-scale tapestries, woodcuts and ceramic works among other work related to Perry’s A House for Essex (2015) – all playing on the theme of local identity.
The protagonist of this show, Julie Cope, lives out her days on a trail from Canvey Island through to Colchester high street where an unfortunate collision with a delivery drive on a moped cuts her life short. The tapestries, on loan from the Crafts Council Collection, are strewn with Perry’s usual subtleties, all pointing at the common theme of identity and social history in Essex. As Perry himself has said of the work, it represents ‘the trials, tribulations, celebration and mistakes of an average life’. Cope’s journey across Essex is both physical and emotional, echoing George Eliot’s sentiment of where we have been making us who we are today.
A House for Essex lies in Wrabness, overlooking the Stour Estuary in north-east Essex. Perry designed the house in 2015 in collaboration with Charles Holland of FAT Architeture. It has been described by Holland as a ‘radical statement about the capacity of architecture for narrative and communication to tell a rich and complex story.’ Acting as a ‘shrine’ to fictional character Julie Cope, the building is described as an ‘ornate ceramic-clad, gingerbread-like edifice’. It is chapel-like, stunningly secular and notably ‘Perry’ in its bright colours and patterns that contrast so heavily with the drab Essex countryside. It was commissioned by Living Architecture, which was founded to change public perceptions about modern architecture.
The meticulous design of the house includes everything from the patented ‘Julie tile’ that depicts totems of Julie’s life: a nappy pin, a mixtape and the letter J. Woodcuts from the project that depict 6 stages of Julie’s life will also appear in the show, alongside an audio recording of The Ballad of Julie Cope: Perry’s penned epic that both opens and closes Julie’s life.
This exhibition entwines narrative with local culture, hopes with dream and love with loss. Perry’s usual dry observations of contemporary British culture align themselves with the quietness of life, providing a new sentimental angle to his work about his home county.
The Life of Julie Cope runs from 18 November 2017 until 18 February. For more details, visit www.firstsite.uk
This Sunday 5th November marks the opening of Duton’s third edition of their AppreciationofChina exhibition to take place at the Grosvenor House Hotel until 8th November.
Entitled TheExhibitionofChineseLegacy, the presentation will feature a rare array of ceramic and sculptural masterpieces that have received praise from Chinese and international museums alike. The collections range from painted potteries from the Neolithic period and the Northern Qi Dynasty to Tang Dynasty horses, camels and auspicious beasts.
This key event launching Asian Art in London reflects Duton’s essential role as a platform for authentic and exquisite Chinese art and culture. A rare glimpse into the origin of Chinese art, each artwork on view is certified by Oxford Authentication, with many dating as far back as the old Tang and Song dynasties. The hero piece of the exhibition is a monolithic pair of painted horses, each 90 centimeters in height, the likes of which would be extraordinary to find even in the most prestigious of institutional collections.
As the first Asian art company to arrive in Europe, Duton’s (est. 1999) is the first and premier Chinese auction house in the UK. Their Chairman, Mr. Du, a leading voice for Chinese art and antiquities, was vastly ahead of his contemporaries with his vision to bridge the longstanding cultural histories of China and Britain.
Against the contemporary backdrop of Asian Art in London, a key event in the British social diary, Duton’s will invigorate these important art objects with renewed cultural relevance. Unique to the location, Grosvenor House Hotel hosted the first ever exhibition of Chinese art in London in 1935. The event is a trusted partner of the Cultural Office of the Chinese Embassy, and will be attended by high profile members of British and Chinese society. Integrating Chinese art into the greater international art community is at the heart of Duton’s mission.
Taking Up Space, the debut solo exhibition by the emerging British artist EmilyMulenga at Firstsite, Colchester, features a series of Mulenga’s video works as well animated GIFS and personalised emojis – or in the artist’s terms – MulengaMojis.
Mulenga uses her own image within her work to assert ownership over the way it is viewed online. Through her works, Mulenga positions her filmed self or animated avatar in vivid virtual environments. The title of the exhibition, Taking Up Space, refers to the way in which the physical or digital body can be a productive and positive site of artistic investigation.
2 October saw the debut solo exhibition of the British artist David James open at Whitechapel’s GALLERY46. Entitled Civilisation, it features a series of drawings and paintings that explore the relationship between personal experience and art history. The drawings are the result of a technique that modifies reproductions of masterpieces by artists such as Velázquez and Rembrandt torn from books, while the paintings are fabricated objects made from digital enlargements of the drawings on archival canvas mounted to board, with the addition of layers of resin, hair and grit. The sublime materiality of James’s paintings both seduces and repulses, a tension that highlights the possibilities of legibility and appropriation in image making. ArtAttack caught up with David to discuss his practice in more detail.
Bethlem Gallery is celebrating its 20th anniversary with a new group exhibition entitled It’s how well you bounce, which exploresresilience and its relationship to the imagination and artistic practice. The gallery is an art focused platform for former and current patients of the historic Royal Bethlem Hospital in Bromley, supporting artists with lived experience of mental illness to involve themselves in the positive direction of art making. ArtAttack chats with Bethlem Gallery’s curator Sam Curtis about the show’s themes, the gallery’s milestone anniversary and what the future holds.
How does the theme of resilience manifest itself in the works in the exhibition?
The theme of resilience manifests itself in the works in the exhibition in diverse ways, we see the works of artists who draw on the imagination as a positive and strategic response to life pressures, works that are born out of the artist’s ability to adapt and survive to new and often challenging circumstances, artists that resist or document resistance to social and political pressures, artists that reroute negative thoughts into something more positive through their art making, artists that map, shape and transform their identity through art making and therapy and importantly we can encounter artworks and projects that critique the notion of resilience that says we need to ‘man or woman-up’ and bounce back from adversity . It’s how well you bounce includes artworks that explore a specific aspect of resilience as well as artworks that come from artistic practice that is itself a form of resilience.
Opening on 11 August 2017 is photographer EmmaElizabethTillman’s debut solo show entitled Disco Ball Soul. The exhibition, consisting of more than 90 collages created over a ten-year period, is an accumulation of photographs and texts taken from her new book of the same title. Tillman began this body of work in 2007, recording precious moments, including her meeting of her now husband Josh.
ArtAttack caught up with Emma to find out more about her thoughts on film, travel and making the private public.
Today, 18th July, marks the launch of The East Contemporary Visual Arts Network’s (ECVAN) New Geographies, a three-year Arts Council England-funded project that invites members of the public to choose locations for 10 major site-specific visual arts commissions across the east of England.
It’s that time of year again! The annual Vauxhall Art Car Boot Fair is back, this time in its namesake of Vauxhall on SUNDAY, 9 JULY 2017 from 12 – 6pm.
This year’s brand-new theme, ‘The Original,’ promises to be a prime opportunity to snap up one-of-a-kind original as well as limited edition artworks all for a fraction of their usual prices. The one-day festival will take place in the streets of Vauxhall’s vibrant new gallery district with the support of Newport Street Gallery and U+I Plc, and will present an eclectic line-up of over one hundred artists who will be selling exclusive pieces from the boots of both new and vintage Vauxhall cars.