This Sunday 5th November marks the opening of Duton’s third edition of their AppreciationofChina exhibition to take place at the Grosvenor House Hotel until 8th November.
Entitled TheExhibitionofChineseLegacy, the presentation will feature a rare array of ceramic and sculptural masterpieces that have received praise from Chinese and international museums alike. The collections range from painted potteries from the Neolithic period and the Northern Qi Dynasty to Tang Dynasty horses, camels and auspicious beasts.
This key event launching Asian Art in London reflects Duton’s essential role as a platform for authentic and exquisite Chinese art and culture. A rare glimpse into the origin of Chinese art, each artwork on view is certified by Oxford Authentication, with many dating as far back as the old Tang and Song dynasties. The hero piece of the exhibition is a monolithic pair of painted horses, each 90 centimeters in height, the likes of which would be extraordinary to find even in the most prestigious of institutional collections.
As the first Asian art company to arrive in Europe, Duton’s (est. 1999) is the first and premier Chinese auction house in the UK. Their Chairman, Mr. Du, a leading voice for Chinese art and antiquities, was vastly ahead of his contemporaries with his vision to bridge the longstanding cultural histories of China and Britain.
Against the contemporary backdrop of Asian Art in London, a key event in the British social diary, Duton’s will invigorate these important art objects with renewed cultural relevance. Unique to the location, Grosvenor House Hotel hosted the first ever exhibition of Chinese art in London in 1935. The event is a trusted partner of the Cultural Office of the Chinese Embassy, and will be attended by high profile members of British and Chinese society. Integrating Chinese art into the greater international art community is at the heart of Duton’s mission.
The Horiuchi Foundation will soon present a series of photographs by Tomohiro Muda as part of an exhibition entitled Icons of Time: Memories of the Tsunamithat Struck Japan.
This will be the renowned Japanese photographer’s first exhibition in the UK and appropriately falls on the six year anniversary of the earthquake and tsunami that hit Japan’s northeastern coast on 11 March, 2011. The photographs on view will be shown at the recently restored and reopened Fitzrovia Chapel, a stunning Grade II* listed building which was previously the chapel for the old Middlesex Hospital. The exhibition will also form a satellite event for Photo London fair, which runs at Somerset House from 17 – 21 May and be part of Fitzrovia Photo London Discovery Night, when the participating galleries in the fair will stay open until 8:30pm.
2nd December marks the opening of the much anticipated, 4th annual Colombo Art Biennale (CAB), the world’s largest and most significant celebration of contemporary South Asian art and culture.
Attracting over 2,500 visitors in its last edition, this year’s CAB, which is themed ‘Conceiving Space’ is curated by Alnoor Mitha and seeks to reimagine traditional concepts of the ‘spatial’ in relation to boundaries and engagement. It will focus on emerging talent, including over 60 international and local artists, among them Faiza Butt (UK/Pakistan), Cristina Rodrigues (Portuguese) and Chila Kumari Burman (British/Asian).
The event itself, was founded by gallerist and cultural ambassador Annoushka Hempel in 2009, its mission being to raise the profile of artists in this fast developing market. We are so happy to have had the opportunity so speak with Annoushka about the upcoming edition and to have her insight on what is certain to be among the top cultural experiences of the year!
Victoria Miro presents a new exhibition by Yayoi Kusama. Spanning the gallery’s three locations and waterside garden, the exhibition features new paintings, pumpkin sculptures, and mirror rooms, all made especially for this presentation.
This is the artist’s most extensive exhibition at the gallery to date, and it is the first time mirror rooms have gone on view in London since Kusama’s major retrospective at Tate Modern in 2012.
ArtAttack had the honour of interviewing the renowned Chinese contemporary duo The Zhou Brothers during their recent trip to London. We met them at The Langham Hotel to hear more about their lives, artistic practise and future plans.
The Zhou Brothers are one of the most accomplished contemporary artists in the world today, renowned for their unique collaborative work process. They work together on their paintings, performances, sculptures, and prints, often communicating without words in a so-called dream dialogue. Their thinking, aesthetic, and creativity are a symbiosis of Eastern and Western philosophy, art and literature that informed their development since early childhood.
Sinclair Global, a global luxury marketing consultancy providing bespoke experiences across the spheres of art and culture, fashion, gourmet and lifestyle, invited the world renowned Zhou Brothers to London to collaborate with Louis Vuitton.
A reception took place at The Langham Hotel, welcoming the Zhou Brothers to the inner sanctum of London, before their exclusive event at the secret Louis Vuitton Maison, New Bond Street with an artist talk conducted by Sotheby’s, London.
After being drawn in by her work at the London Art Fair back in January, ArtAttack had the chance to speak with Korean artist, Kyung Hwa Shon, about her work, inspirations and advice for young artists just starting out.
Renowned Chinese artist, Yiming Min, will make his UK debut next week with a sculpture and painting exhibition entitled ‘Therefore‘ presented by Very Art Space. The show will usher viewers into a machine-made yet natural world including a large-scale installation, sculptures and a suite of oil paintings.
The inspiration for the works is Yiming’s studio in Xiamen, China, which is located within a natural oasis of trees and wildlife, whilst still only 100 metres away from a bustling port city — the juxtaposition between man and nature informs the work. In his own words, Yiming seeks to examine the “coherence of perception between humanity and the natural world.”