Last night launched the 2017 edition of Vitrine‘s Sculpture At, presentingin Bermondsey Square, London a new artwork by LucyTomlins. Her sculpture, entitled Pylon and Pier will be on view until August 2017. We were thrilled to have the opportunity to speak with Lucy about the work in anticipation of this evening’s official opening.
If you ask me, there is nothing that rings in the holiday season more than brightly coloured things that shine. From tree ornaments to jewels to candlelight, Christmas is all about the sparkle, so now that it’s almost December I’d suggest running not walking to Tristan Hoare for their latest exhibition Cell-(estial), a collection of enchanting work by French-born Lebanese artist Flavie Audi.
Audi is best known for her mouthwateringly beautiful gem-like glass sculptures, but for this exhibition she also includes photography and film as a means to investigate the points at which the natural and artificial worlds meet.
Glass is a naturally occurring, organic material, yet through its modern usage in mobile and TV screens it has taken on technological significance – as an interface through which real and virtual worlds are mediated – and it is this collision of realities that is at the heart of Audi’s practice. To explore how these realms interact, the show has been divided into two distinct installations, one representing the physical, the other digital, chaotic nature placed alongside the rational and man-made.
We are delighted to have had the opportunity to speak with Audi about this exhibition and her general practise.
Have a read below and then as previously mentioned, get to the gallery immediately!
ArtAttack first came upon artist Graeme Messer‘s work at this year’s The Other Art Fair in London. We were drawn in by his witty and unique mirror works made for the fair and knew instantly this was an artist we wanted to watch.
After requesting to interview him for this very blog, Graeme let us know about a special project close to his heart; We R is an upcoming art exhibition exploring the meaning of LGBT identity and celebrating difference. Launching during Pride Week London, the show at Espacio Gallery will include nineteen artists from all different cultures and nationalities contributing to a really authentic representation of the diversity and fullness of the LGBT community.
The goal is to to reach out to the many people who find it difficult to be their true selves and to challenge viewers to believe and remember that being different is an inalienable right.
In the words of exhibition curators, Bettina Stuurman and Joao Trindade, ‘We always talk about equality and whilst it may be important to have have the same rights, we really wanted to show how you must celebrate difference. We are proud of this collection which reminds us to think about the present representation of the LGBT community. We want people to leave the exhibition feeling positive, excited and remembering their own unique nature – and this is what we hope the art has captured.’
We decided to chat with Graeme about We R as a preview for our readers to this sure-to-be powerful and moving exhibition.
Most of our readers would probably agree that art can be a powerful tool. Art can touch people in innumerable ways; it can make people laugh and cry. It can make them think. It can stop them in their tracks and push them to action.
In the case of William Leach, it is not only the art itself that is powerful, but the mere fact that someone thought to create it. As inspiring as the work may be, I find the artist perhaps even more so.
I discovered William Leach through Facebook. Our mutual friend had just posted photos he’d taken of Will’s latest project. The post read: ‘My friend William Leach lives opposite HM Holloway Women’s Prison, with the wall literally in his garden, and supplying the view for the inmates’ cells. Will realised the inmates couldn’t see the moon from the North wing, so he decided to build them one (on his roof).’
As soon as I read those words I knew I had to speak to Will, and I am so honoured he agreed to this interview. Here is someone whose incredible work has reminded me how profoundly art and the artists behind it can make a difference.
ArtAttack is proud to present our latest ‘Artist of the Week’, Ana Carolina Rodrigues. Artists of the week are selected by the ArtAttack team from the diverse and eclectic group of artist users on our app.
ArtAttack visited Portuguese artist Ana Carolina Rodrigues in her west London studio, to discover more about her enigmatic, captivating sculptures and hear how artists and footballers may not be so different after all!
In the words of famed contemporary Broadway composer, William Finn, ‘You gotta have heart and music.’ Take out the ‘h’ and the ‘e’ to make ‘art and music’ and I’d argue the phrase still strongly applies. It seems as though the curating team at Imitate Modern would agree as they present Rhythm, a multidisciplinary exhibition opening 31st May at their Piccadilly space.
The show pays homage to the arts in a wider sense with an exciting collection of works featuring musical icons Prince, Bowie, Elvis and Michael Jackson. But aside from portraying real life music artists, the work on view also celebrates the wider purpose of music and rhythm in our lives, reminding us of its’ vitality, universality and great importance.
In anticipation of his upcoming exhibition, Slime Mould Logic, at Tintype Gallery, ArtAttack had the chance to speak with British artist, David Cheeseman.
Cheeseman, born in 1960, brings a fascination for nature and science to his work and was awarded the Gulbenkian Rome Scholarship in Sculpture as well as the The Henry Moore Fellow in Sculpture at Coventry University. Last year he completed a residency at The Lydney Park Estate in association with Matt’s Gallery London and also presented a Fig.2 at the ICA in collaboration with Ole Hagan and astrophysicist Roberto Trotta.
Cheeseman’s prestigious education includes studying painting at Maidstone School of Art and sculpture at the Royal College of Art (RCA). This new show, opening 19th May at Tintype, presents a series of innovative sculptures inspired by one of nature’s true wonders: slime mould.
Slime mould is a generic name for organisms that superficially resemble funghi. The incredible element is that they are able to navigate towards foods or hosts almost as if they have an emergent intelligence.
Victoria Miro presents a new exhibition by Yayoi Kusama. Spanning the gallery’s three locations and waterside garden, the exhibition features new paintings, pumpkin sculptures, and mirror rooms, all made especially for this presentation.
This is the artist’s most extensive exhibition at the gallery to date, and it is the first time mirror rooms have gone on view in London since Kusama’s major retrospective at Tate Modern in 2012.
Mark Beattie is an emerging sculptor who lives and works in London. We had the pleasure of seeing a collection of his work in person at The Other Art Fair 2016.
After graduating from the European Arts Practice MA course at Kingston University he continued to study different metals, looking at ways to manipulate and add movement to the material. He has also been developing ways in which neon or LEDs can compliment his sculptures, adding to the movement of a piece and catching the viewers eye.
In 2015 he was elected a member of The Royal British Society of Sculptors. His work has been exhibited throughout the UK in over 20 shows; including locations like Burghley House (Lincolnshire), Great Fosters Hotel (Surrey) and Jean-Luc Baroni Gallery (London). Over the past 5 years he has also had the honour of exhibiting alongside some of the worlds finest artists, including Helaine Blumenfeld, Jonathan Yeo, Tracey Emin and the late Lynn Chadwick.
I had the chance to talk to Mark about his career so far, and find out more about his artistic practise.