Taking Up Space, the debut solo exhibition by the emerging British artist EmilyMulenga at Firstsite, Colchester, features a series of Mulenga’s video works as well animated GIFS and personalised emojis – or in the artist’s terms – MulengaMojis.
Mulenga uses her own image within her work to assert ownership over the way it is viewed online. Through her works, Mulenga positions her filmed self or animated avatar in vivid virtual environments. The title of the exhibition, Taking Up Space, refers to the way in which the physical or digital body can be a productive and positive site of artistic investigation.
Back for its third year running, Tintype presents Essex Road III, 8 specially commissioned short films that each delve into the iconic North London street from which the exhibition takes its name.
Whether it’s Susan Collins‘ ‘Wildlife’ depicting the various creatures (real and not) that inhabit the neighbourhood, or Lynn Marsh‘s ‘Resurrection Restoration’ filmed on location at Gracepoint during the restoration of a former 1930’s cinema and incorporating a gospel choir, each of the 8 contemporary artists who’s work will be screened through the front windows of the gallery, has approached the brief in their own unique manner.
If you ask me, there is nothing that rings in the holiday season more than brightly coloured things that shine. From tree ornaments to jewels to candlelight, Christmas is all about the sparkle, so now that it’s almost December I’d suggest running not walking to Tristan Hoare for their latest exhibition Cell-(estial), a collection of enchanting work by French-born Lebanese artist Flavie Audi.
Audi is best known for her mouthwateringly beautiful gem-like glass sculptures, but for this exhibition she also includes photography and film as a means to investigate the points at which the natural and artificial worlds meet.
Glass is a naturally occurring, organic material, yet through its modern usage in mobile and TV screens it has taken on technological significance – as an interface through which real and virtual worlds are mediated – and it is this collision of realities that is at the heart of Audi’s practice. To explore how these realms interact, the show has been divided into two distinct installations, one representing the physical, the other digital, chaotic nature placed alongside the rational and man-made.
We are delighted to have had the opportunity to speak with Audi about this exhibition and her general practise.
Have a read below and then as previously mentioned, get to the gallery immediately!
From this Friday 16 September, Tintype presents Suki Chan’s intrigiung solo exhibition, Lucida. Combining images, bio-medical research and individual testimonies, the interactive three-screen installation explores the fascinating relationship between the human eye, brain and vision.
After following the progression of this year’s SOLO Award since the competition was first announced, we are so thrilled to share that a winner has been selected!
Hopefully, you had a chance to view the incredible shortlisted artists’ works on our ArtAttack App, which we were honoured to exclusively showcase on the ‘Curated Art’ page. Well, one of these talented creatives is now the big winner! We are thrilled to introduce Victoria Lucas!
Victoria is a Sheffield-based artist represented by Mark Devereaux Projects. She received her BA (hons) in Fine Art (Sculpture) from Norwich School of Art and Design in 2004, followed by her MFA Fine Arts from the University of Leeds in 2007. Currently, she is a Fine Art Lecturer at the University of Central Lancashire, Preston.
Victoria’s artworks are often initiated by a physical encounter with a place, site or landscape. By concentrating on these contexts and their current or former inhabitants, she develops conceptual narratives that subvert and categorise events and myths using a site’s materiality as a catalyst.
We had the chance to speak with Victoria about her SOLO Award victory and greater artistic practice.
When I think of my hometown, Los Angeles, California, palm trees, expansive beaches and rainbow sunsets come to mind. I start to crave In n’Out Burger, hot pilates and early morning hikes in Runyon Canyon, $20 Juice Served Here smoothies (worth it, I swear) and the ever perfect ‘Trust Me’ menu at Sugarfish. I think of lazy strolls on Abbot Kinney, movie premieres taking over Hollywood Boulevard, hip hop nights at the club and performers on the Venice boardwalk. What I do not think of however, is art.
Now, before you go telling me how LA has a “killer art scene,” yes, of course I realize there is art in LA. From street art on every major boulevard, to Renaissance masterpieces at the Getty, and gallery private views with drinks flowing almost every weekend, by no stretch of the imagination is the City of Angels not a City of Art as well. However, living in London currently and having lived in New York, I never thought of my city as quite up to par with my adopted homes art-wise, at least not until The Broad.
The Broad has changed everything.
Marketed, quite accurately, as ‘LA’s new contemporary art museum,’ the building, by design firm Diller Scofidio + Renfro, is a piece of art in itself gracing the skyline of Downtown LA. Inside, the vast-beyond-comprehenstion postwar and contemporary collection of philanthropists Eli and Edythe Broad awaits. Just to be transparent, that’s 2,000 works of art collected over the course of 50 years, and including the likes of Jean-Michel Basquiat, Cy Twombly, Keith Haring, Roy Lichtenstein, Andy Warhol, Takashi Murakami, Ed Ruscha, Damien Hirst, Cindy Sherman and Christopher Wool, to name but a few.
Essex Road II at Tintype gallerybuilds on their hugely popular inaugural event last year, with an array of leading artist-filmmakers providing compelling films.
The second edition of Tintype’s Essex Road Project is comprised of eight specially commissioned short films, each inspired by the North London street from which the project takes its name, and where the gallery is also located. With subjects ranging from Helen Benigson‘s visceral celebration of the female ritual of the hen night, to Uriel Orlow’s film based around playwright and authorJoe Orton’s fictional alter ego Edna Walthorpe, filmed on his doorstep.
I had the chance to speak to Tintype director Teresa Grimes about the project.