Explore the Unexplored with ‘Ed Gold: Other Worlds’ at Firstsite

Opening this weekend on Saturday 17th June at Firstsite, Colchester (private view tonight from 6-9pm!) is Ed Gold: Other Worlds, a compelling presentation of 100 photographs by the  social documentary photographer taken over the past 30 years during his time spent living in various isolated communities across the globe. There are five bodies of work by Ed being shown in the retrospective: Patagonia, Country Folk (Essex, Wales & Scotland), Afghanistan Bed Spaces, Positive Futures and Nowitna and each series is an in-depth look at what it really is like to be a part of those communities.

M’Hula Crew, Country Folk, 1999, Digital print, Dimensions variable.jpg

M’Hula Crew, Country Folk, 1999, Digital print, Dimensions variable

 

Continue reading

Advertisements

A £10,000 prize will make this year’s HIX Award more exciting than ever!

The HIX Award is back this year and more exciting than ever with a £10,000 cash prize to be awarded to the overall winner thanks to new sponsors Coutts and Baxterstory! The award itself is even designed by art world legend Damien Hirst so artists, we’d suggest you get submitting as soon as possible!

The annual emerging art award, which is open to current students and recent graduates of UK art colleges alike, was created five years ago by restaurateur and art aficionado, Mark Hix, to give young artists a platform to showcase their work and take their first steps in their professional careers.

Screen Shot 2017-06-12 at 12.06.34 PM.png
Mark Hix

Continue reading

‘An elegant dance’ between poetry and art: Robert Perkins’s ‘The Written Image’

Thursday 24th May sees the opening of Robert Perkins: The Written Image at Benjamin Spademan Rare Books, the first of a two-part exhibition of the American artist’s 45-year collaboration with poets.

From Seamus Heaney to Allen Ginsberg, Perkins has worked with the best of the best when it comes to the world of poetry. In fact, his journey began back in the 1970’s when he was a student at Harvard University and took poet, Elizabeth Bishop’s creative writing seminar. Perkins explains that when he told Bishop that he’d always wanted to be an artist, she wrote out a copy of her poem The Fish and asked him to illustrate it.

This assignment launched The Written Image, which Perkins describes as ‘self-portraits of the poet in the moment.’ To begin a work, he takes the poet’s hand-written text and then melds it with his own imagery, thus constructing a visual representation around the words.

11. Robert Perkins, Jon Galassi, Knot, 2000 © Robert Perkins. Courtesy the Artist and Benjamin Spademan Rare Books. Photo by Louie Fasciolo.jpg
Robert Perkins, Jon Galassi, Knot, 2000 © Robert Perkins. Courtesy the Artist and Benjamin Spademan Rare Books. Photo by Louie Fasciolo

Continue reading

MAGIC FOUND: Discussing technology and art with Tabitha Steinberg

This wet weekend in London, you will struggle to beat a trip to The Dot Project. Their current exhibition is a fascinating examination of contemporary painting’s relationship with modern, and how this has affected and influenced the way painters work.  ArtAttack discusses technology and art with Tabitha Steinberg, co-curator of the exhibition Searching for magic and the distorted image falling from your iCloud.
Unknown-1

Continue reading

Simon Patterson Presents a Safari at the De La Warr Pavilion

From 20th May, the De La Warr Pavilion will present Safari: An exhibition as expedition, an anthology of works by the British artist, Simon Patterson.

8. ...words fly up...,, 1996 (detail) © Simon Patterson, by courtesy of the artist .jpg
…words fly up…,, 1996 (detail) © Simon Patterson, by courtesy of the artist 

Interspersed throughout the gallery space and hence taking the viewers on their own mini safari, the works on view will span a quarter century of Patterson’s career and feature wall drawings, sculpture, prints, photographs video and installation, as well as a public intervention, a site-specific commission and on opening day, a staged sea battle in collaboration with Bexhill Sailing Club!

DLWPsea 17.jpg
Simon Patterson, rehearsal of Seascape, 2017, with Bexhill Sailing Club. Photo: Sin Bozkurt

Continue reading

Brexit themed art show opening in Fitzrovia this Friday – We interview the artist, Tarek Sebastian Al-shammaa

On Friday 19th May Gallery DIFFERENT will present 35-year-old contemporary painter, Tarek Sebastian Al-shammaa’s debut solo show Fall of Europe II (until 22nd May).

We at ArtAttack stumbled upon Tarek’s artwork last year and have been great admirers of his painting practice ever since. His painterly use of space is quite extraordinary, filling the canvas with symbols and figures that tell stories of our world within the greater context of mythology. Each tiny element he chooses to include says something powerful. No iconography is wasted.

Thanksgiving, 2017, Acrylic and oil on canvas, 200 x 200 cm.png
Thanksgiving, 2017, Acrylic and oil on canvas, 200 x 200 cm

The artist’s main practice is history painting as he explores historical and mythological subject matter juxtaposing it with the harsh realities contemporary Western society. Within each of the epic paintings he presents the viewer with poignant psychological insight into his  own  life  and  heritage;  Al-­shammaa  is  half  French  and  half  Iraqi, and  so  has  found  himself  straddling two oft-­opposing cultures throughout his life.

Recurring  themes  across  the  young  artist’s  paintings  include  consumerism,  war, love,  lust  and  political  oppression,  as  well  as  the  opposition  and  even  conflict  of Western  and  non-­Western  culture  and  ideals.  In  the  body  of  work on view,  Al­shammaa  depicts  everything  from  iconic  myths like that of the Tower of Babel to mythical iconography such as Mother Earth, all within a present-day context.

ArtAttack contributor, Franzi Gabbert, had the chance to interview Al-shammaa in regards to his upcoming exhibition as well as his general practice.

Continue reading

ArtCircle presents a pop-up with substance and we interview curator, Bettina Ruhrberg

May 19th sees the private view of the first show from the revolutionary new arts platform, ArtCircle. Taking the pop-up exhibition format but injecting it with a real dose of the high brow — think museum quality work, top notch curators and posh postcodes only — ArtCircle will no doubt finally solve the conundrum of fitting a brand new business concept seamlessly into the restrictive and not always welcoming art world.

The launch exhibition, which will take place at 48 Albemarle Street in London’s Mayfair, is entitled Focusing Room and will feature work straight from the Museum of Modern Art in Goslar Germany, mainly from the Zero, Kinetic Art and Op Art schools. Much of the art has never before been seen in the UK, so ArtCircle, with the help of curator, Bettina Ruhrberg, is bringing us something truly special.

2_LutherFR_MM78.jpg
Adolf Luther, Der Fokussierender Raum (Focusing Room), 1968

We had the chance to speak with Bettina, who is the director of the MoMA in Goslar about her experiences as a curator, her goals for this exhibition and her thoughts on the ArtCircle concept.

Continue reading

A fantasy of literature and art: Stephen Chambers’s ‘The Court of Redonda’ at the Biennale Arte

A fictitious royal court, a symphony of colour and a capricious cast of characters join together to create a fantasy constructed from literature and art — this is Stephen Chambers‘s monumental presentation, The Court of Redonda, currently on view as an Official Collateral Event of the 57th International Art Exhibition La Biennale di Venezia.

CoR Ca'Dandolo RESIZED (1).jpg
Installation view, The Court of Redonda at Ca’ Dandolo. Photo by  FS@SCS.
The show which is presented by the Heong Gallery at Downing College, University of Cambridge and curated by Emma Hill takes its home at Ca’ Dandolo on the Grand Canal from now until 26th November, showcasing 101 portraits that represent a utopian society dominated by creators and known as Redonda.

Continue reading

Every picture tells a story: Tomohiro Muda at Fitzrovia Chapel

The Horiuchi Foundation will soon present a series of photographs by Tomohiro Muda as part of an exhibition entitled Icons of Time: Memories of the Tsunami that Struck Japan.
IMAGE THREE- 7.22.2012 Ishinomaki, Miyagi, 2012 © Tomohiro Muda, by courtesy of the artist.jpeg
7.22.2012 Ishinomaki, Miyagi, 2012, Inkjet pigment print. © Tomohiro Muda, by courtesy of the artist
This will be the renowned Japanese photographer’s first exhibition in the UK and appropriately falls on the six year anniversary of the earthquake and tsunami that hit Japan’s northeastern coast on 11 March, 2011. The photographs on view will be shown at the recently restored and reopened Fitzrovia Chapel, a stunning Grade II* listed building which was previously the chapel for the old Middlesex Hospital. The exhibition will also form a satellite event for Photo London fair, which runs at Somerset House from 17 – 21 May and be part of Fitzrovia Photo London Discovery Night, when the participating galleries in the fair will stay open until 8:30pm.

Continue reading