It’s that time of year again! The annual Vauxhall Art Car Boot Fair is back, this time in its namesake of Vauxhall on SUNDAY, 9 JULY 2017 from 12 – 6pm.
This year’s brand-new theme, ‘The Original,’ promises to be a prime opportunity to snap up one-of-a-kind original as well as limited edition artworks all for a fraction of their usual prices. The one-day festival will take place in the streets of Vauxhall’s vibrant new gallery district with the support of Newport Street Gallery and U+I Plc, and will present an eclectic line-up of over one hundred artists who will be selling exclusive pieces from the boots of both new and vintage Vauxhall cars.
This Saturday 1st July sees the opening of Lubaina Himid: Warp and Weft, a survey of works by the 2017 Turner Prize nominee at Firstsite gallery in Colchester.
A key figure in the Black Arts Movement, Himid first came to prominence in the 1980s when she began organising exhibitions of work by her peers, who were underrepresented in the contemporary art scene. Her diverse approach disrupts preconceptions of the world by introducing historical and contemporary stories of racial bias and acts of violence inflicted upon oppressed communities.
The Green Rooms play host to ArtGemini’s photography exhibition – displaying a wonderful mix of subject matter. Amongst the group of 30 or so photographers showing, are the winners of the PhotoX competition.
The ArtAttack take: Jakub Pasierkiewicz’s Natural Resemblance VIII, 2016 brings together a two shots: a carefully curated interior composition alongside a peeling, graffitied wall. Its elegant ambiguity offers the viewer with many different readings.
The winners in full:
1st prize Matthew Joseph, River People – Louis, 2017
2nd prize Samye Asher, Prussia Cave, 2015
Monochrome Prize A.R. Shah, Onward, 2012 Artist Residency Prize Jakub Pasierkiewicz, Natural Resemblance VIII, 2016
The exhibition of the 35 short-listed works, with workshops, portfolio reviews and seminars running until July 1st. www.photox.co.uk for more details. The Green Rooms is a 12 minute journey from King’s Cross, address below:
The GreenRooms, 13-27 Station Road, Wood Green, London, N22 6UW
Opening this weekend on Saturday 17th June at Firstsite, Colchester (private view tonight from 6-9pm!) is Ed Gold: Other Worlds, a compelling presentation of 100 photographs by the social documentary photographer taken over the past 30 years during his time spent living in various isolated communities across the globe. There are five bodies of work by Ed being shown in the retrospective: Patagonia, Country Folk (Essex, Wales & Scotland), Afghanistan Bed Spaces, Positive Futures and Nowitna and each series is an in-depth look at what it really is like to be a part of those communities.
M’Hula Crew, Country Folk, 1999, Digital print, Dimensions variable
The HIX Award is back this year and more exciting than ever with a £10,000 cash prize to be awarded to the overall winner thanks to new sponsors Coutts and Baxterstory! The award itself is even designed by art world legend DamienHirst so artists, we’d suggest you get submitting as soon as possible!
The annual emerging art award, which is open to current students and recent graduates of UK art colleges alike, was created five years ago by restaurateur and art aficionado, MarkHix, to give young artists a platform to showcase their work and take their first steps in their professional careers.
Thursday 24th May sees the opening of RobertPerkins: The Written Image at Benjamin Spademan Rare Books, the first of a two-part exhibition of the American artist’s 45-year collaboration with poets.
From Seamus Heaney to Allen Ginsberg, Perkins has worked with the best of the best when it comes to the world of poetry. In fact, his journey began back in the 1970’s when he was a student at Harvard University and took poet, Elizabeth Bishop’s creative writing seminar. Perkins explains that when he told Bishop that he’d always wanted to be an artist, she wrote out a copy of her poem TheFish and asked him to illustrate it.
This assignment launched The Written Image, which Perkins describes as ‘self-portraits of the poet in the moment.’ To begin a work, he takes the poet’s hand-written text and then melds it with his own imagery, thus constructing a visual representation around the words.
This wet weekend in London, you will struggle to beat a trip to The Dot Project. Their current exhibition is a fascinating examination of contemporary painting’s relationship with modern, and how this has affected and influenced the way painters work. ArtAttack discusses technology and art with Tabitha Steinberg, co-curator of the exhibition Searching for magic and the distorted image falling from your iCloud.
From 20th May, the De La Warr Pavilion will present Safari: An exhibition as expedition, an anthology of works by the British artist, Simon Patterson.
Interspersed throughout the gallery space and hence taking the viewers on their own mini safari, the works on view will span a quarter century of Patterson’s career and feature wall drawings, sculpture, prints, photographs video and installation, as well as a public intervention, a site-specific commission and on opening day, a staged sea battle in collaboration with Bexhill Sailing Club!
On Friday 19th May Gallery DIFFERENT will present 35-year-old contemporary painter, Tarek Sebastian Al-shammaa’s debut solo show Fall of Europe II (until 22nd May).
We at ArtAttack stumbled upon Tarek’s artwork last year and have been great admirers of his painting practice ever since. His painterly use of space is quite extraordinary, filling the canvas with symbols and figures that tell stories of our world within the greater context of mythology. Each tiny element he chooses to include says something powerful. No iconography is wasted.
The artist’s main practice is history painting as he explores historical and mythological subject matter juxtaposing it with the harsh realities contemporary Western society. Within each of the epic paintings he presents the viewer with poignant psychological insight into his own life and heritage; Al-shammaa is half French and half Iraqi, and so has found himself straddling two oft-opposing cultures throughout his life.
Recurring themes across the young artist’s paintings include consumerism, war, love, lust and political oppression, as well as the opposition and even conflict of Western and non-Western culture and ideals. In the body of work on view, Alshammaa depicts everything from iconic myths like that of the Tower of Babel to mythical iconography such as Mother Earth, all within a present-day context.
ArtAttack contributor, Franzi Gabbert, had the chance to interview Al-shammaa in regards to his upcoming exhibition as well as his general practice.