Today, 18th July, marks the launch of The East Contemporary Visual Arts Network’s (ECVAN) New Geographies, a three-year Arts Council England-funded project that invites members of the public to choose locations for 10 major site-specific visual arts commissions across the east of England.
A Turner Prize Nominee comes to Firstsite: Lubaina Himid’s ‘Warp and Weft’
This Saturday 1st July sees the opening of Lubaina Himid: Warp and Weft, a survey of works by the 2017 Turner Prize nominee at Firstsite gallery in Colchester.
A key figure in the Black Arts Movement, Himid first came to prominence in the 1980s when she began organising exhibitions of work by her peers, who were underrepresented in the contemporary art scene. Her diverse approach disrupts preconceptions of the world by introducing historical and contemporary stories of racial bias and acts of violence inflicted upon oppressed communities.
Brexit themed art show opening in Fitzrovia this Friday – We interview the artist, Tarek Sebastian Al-shammaa
On Friday 19th May Gallery DIFFERENT will present 35-year-old contemporary painter, Tarek Sebastian Al-shammaa’s debut solo show Fall of Europe II (until 22nd May).
We at ArtAttack stumbled upon Tarek’s artwork last year and have been great admirers of his painting practice ever since. His painterly use of space is quite extraordinary, filling the canvas with symbols and figures that tell stories of our world within the greater context of mythology. Each tiny element he chooses to include says something powerful. No iconography is wasted.
The artist’s main practice is history painting as he explores historical and mythological subject matter juxtaposing it with the harsh realities contemporary Western society. Within each of the epic paintings he presents the viewer with poignant psychological insight into his own life and heritage; Al-shammaa is half French and half Iraqi, and so has found himself straddling two oft-opposing cultures throughout his life.
Recurring themes across the young artist’s paintings include consumerism, war, love, lust and political oppression, as well as the opposition and even conflict of Western and non-Western culture and ideals. In the body of work on view, Alshammaa depicts everything from iconic myths like that of the Tower of Babel to mythical iconography such as Mother Earth, all within a present-day context.
ArtAttack contributor, Franzi Gabbert, had the chance to interview Al-shammaa in regards to his upcoming exhibition as well as his general practice.
A fantasy of literature and art: Stephen Chambers’s ‘The Court of Redonda’ at the Biennale Arte
A fictitious royal court, a symphony of colour and a capricious cast of characters join together to create a fantasy constructed from literature and art — this is Stephen Chambers‘s monumental presentation, The Court of Redonda, currently on view as an Official Collateral Event of the 57th International Art Exhibition La Biennale di Venezia.
Sisters Doing It For Themselves: Brains & Lip Takeover at CNB Gallery
Monday 24th April sees the private view of Brains & Lip Takeover at East London’s emerging art hotspot, CNB Gallery. The all-woman exhibition, which showcases the work of nine fantastic artists, is curated by Claire Orme and Alice Steffen, the creative duo behind Brains & Lip.
Controversial, brash and witty, the artworks on view challenge and reclaim what it means to be a woman in contemporary society. The subversive painting, illustration and sculpture that feature in the exhibition explore discourses of identity, sexuality and female empowerment, resisting the restrictive expectations of the elitist, patriarchal art world.
We were thrilled to be able to speak with the two visionaries behind the ‘takeover’ in advance of next week’s exhibition.
‘[Art is] my armour in this world, fighting against all the sput’: ArtAttack Interviews Lilias Buchanan
Inspired by the Richard Brautigan cult classic, Sombrero Fallout: A Japanese Novel, young artist Lilias Buchanan has created a series of exquisitely detailed paintings to be debuted at Shapero Modern from 29th March – 11th April, 2017.
After reading Brautigan’s 1976 novel, Lilias became almost obsessed by the narrative, stopping people in the street who resembled its characters and practically buying eBay out of sombrero postcards. The result is this upcoming exhibition of technical, charming and at times chilling artworks.
Familiar desert landscapes intertwine with striking elements of collage and pencil drawings depicting strange encounters. Not having read the book makes it a bit tricky to figure out what’s going on, but somehow at the same time seems to make the work all the more intriguing.
We were delighted to be able to speak with Lilias about her practice, this body of work and what’s to come for the London-based artist, whose work is already in the collection of HRH the Prince of Wales.
‘That’s what I will miss a lot, getting lost together’: ArtAttack interviews Jan Hendrix
Maestro Arts in collaboration with Shapero Modern are delighted to bring you Dutch architect and artist, Jan Hendrix’s, first UK solo exhibition BOOK VI: Heaney Hendrix. The exhibition will showcase the artist’s most recent working partnership with renowned Irish poet, playwright and translator, Seamus Heaney.
Festive Cultural Traffic comes to East London!
Just in time for your last minute Christmas shopping, Juju’s presents Festive Cultural Traffic from 17-18 December, 2016.
The counter culture event returns to the Truman Brewery and adjacent Spitalfields market once again, offering a broad vivid experience away from the dull predictable mainstream Christmas shopping options, providing an opportunity to engage with the past present and future of counter culture at an affordable level for that perfect gift.
The Hunt Through New Eyes: Hugo Wilson at Shapero Modern
Shapero Modern is delighted to present their upcoming exhibition, Chroma hunt, a collection of hand-coloured etchings by renowned British artist, Hugo Wilson.
A portfolio of nine etchings will be on view at the Mayfair gallery, all of which are related to the artist’s most recent painting series portraying the most primal of all human rituals, the hunt.
It is important to recognise the history of hunting paintings when considering this work; hunting scenes were popular with wealthy collectors in the seventeenth and eighteenth centuries. They represented a sort of ‘trophyism’ as well as a physical way of displaying man’s mastery over the natural world.
Wilson’s etchings for this exhibition are based on, or inspired by, famous hunting paintings by old masters including Rubens and Stubbs, but instead of the typical narrative of man vs. beast, they illustrate strange and unlikely events where lions, crocodiles and other fierce creatures have been trained to hunt other animals. The human hunter remains entirely unseen.