New Geographies launches today!

Today, 18th July, marks the launch of The East Contemporary Visual Arts Network’s (ECVAN) New Geographies, a three-year Arts Council England-funded project that invites members of the public to choose locations for 10 major site-specific visual arts commissions across the east of England.

Petrified Oak Forest of Mundon, Essex © Glyn Baker.jpg
Petrified Oak Forest of Mundon, Essex © Glyn Baker

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A Turner Prize Nominee comes to Firstsite: Lubaina Himid’s ‘Warp and Weft’

This Saturday 1st July sees the opening of Lubaina Himid: Warp and Weft, a survey of works by the 2017 Turner Prize nominee at Firstsite gallery in Colchester.

1. Naming the Money, 2004. Collection of National Museum Liverpool International Slavery Museum, and the artist. Photo Spike Island © the artist copy.png
Naming the Money, 2004. Courtesy the artist, Hollybush Gardens and National Museums Liverpool: International Slavery Museum. Photo Spike Island © the artist

A key figure in the Black Arts Movement, Himid first came to prominence in the 1980s when she began organising exhibitions of work by her peers, who were underrepresented in the contemporary art scene. Her diverse approach disrupts preconceptions of the world by introducing historical and contemporary stories of racial bias and acts of violence inflicted upon oppressed communities.

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Brexit themed art show opening in Fitzrovia this Friday – We interview the artist, Tarek Sebastian Al-shammaa

On Friday 19th May Gallery DIFFERENT will present 35-year-old contemporary painter, Tarek Sebastian Al-shammaa’s debut solo show Fall of Europe II (until 22nd May).

We at ArtAttack stumbled upon Tarek’s artwork last year and have been great admirers of his painting practice ever since. His painterly use of space is quite extraordinary, filling the canvas with symbols and figures that tell stories of our world within the greater context of mythology. Each tiny element he chooses to include says something powerful. No iconography is wasted.

Thanksgiving, 2017, Acrylic and oil on canvas, 200 x 200 cm.png
Thanksgiving, 2017, Acrylic and oil on canvas, 200 x 200 cm

The artist’s main practice is history painting as he explores historical and mythological subject matter juxtaposing it with the harsh realities contemporary Western society. Within each of the epic paintings he presents the viewer with poignant psychological insight into his  own  life  and  heritage;  Al-­shammaa  is  half  French  and  half  Iraqi, and  so  has  found  himself  straddling two oft-­opposing cultures throughout his life.

Recurring  themes  across  the  young  artist’s  paintings  include  consumerism,  war, love,  lust  and  political  oppression,  as  well  as  the  opposition  and  even  conflict  of Western  and  non-­Western  culture  and  ideals.  In  the  body  of  work on view,  Al­shammaa  depicts  everything  from  iconic  myths like that of the Tower of Babel to mythical iconography such as Mother Earth, all within a present-day context.

ArtAttack contributor, Franzi Gabbert, had the chance to interview Al-shammaa in regards to his upcoming exhibition as well as his general practice.

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A fantasy of literature and art: Stephen Chambers’s ‘The Court of Redonda’ at the Biennale Arte

A fictitious royal court, a symphony of colour and a capricious cast of characters join together to create a fantasy constructed from literature and art — this is Stephen Chambers‘s monumental presentation, The Court of Redonda, currently on view as an Official Collateral Event of the 57th International Art Exhibition La Biennale di Venezia.

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Installation view, The Court of Redonda at Ca’ Dandolo. Photo by  FS@SCS.
The show which is presented by the Heong Gallery at Downing College, University of Cambridge and curated by Emma Hill takes its home at Ca’ Dandolo on the Grand Canal from now until 26th November, showcasing 101 portraits that represent a utopian society dominated by creators and known as Redonda.

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Sisters Doing It For Themselves: Brains & Lip Takeover at CNB Gallery

Monday 24th April sees the private view of Brains & Lip Takeover at East London’s emerging art hotspot, CNB Gallery. The all-woman exhibition, which showcases the work of nine fantastic artists, is curated by Claire Orme and Alice Steffen, the creative duo behind Brains & Lip.


Controversial, brash and witty, the artworks on view challenge and reclaim what it means to be a woman in contemporary society. The subversive painting, illustration and sculpture that feature in the exhibition explore discourses of identity, sexuality and female empowerment, resisting the restrictive expectations of the elitist, patriarchal art world.

Jess De Wahls, Consent, 2016, Fabric, 52 x 58 x 5cm.jpg
Jess de Wahls, Consent, 2016

We were thrilled to be able to speak with the two visionaries behind the ‘takeover’ in advance of next week’s exhibition.

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‘[Art is] my armour in this world, fighting against all the sput’: ArtAttack Interviews Lilias Buchanan

Inspired by the Richard Brautigan cult classic, Sombrero Fallout: A Japanese Novel, young artist Lilias Buchanan has created a series of exquisitely detailed paintings to be debuted at Shapero Modern from 29th March – 11th April, 2017.

After reading Brautigan’s 1976 novel, Lilias became almost obsessed by the narrative, stopping people in the street who resembled its characters and practically buying eBay out of sombrero postcards. The result is this upcoming exhibition of technical, charming and at times chilling artworks.

Familiar desert landscapes intertwine with striking elements of collage and pencil drawings depicting strange encounters. Not having read the book makes it a bit tricky to figure out what’s going on, but somehow at the same time seems to make the work all the more intriguing.

We were delighted to be able to speak with Lilias about her practice, this body of work and what’s to come for the London-based artist, whose work is already in the collection of HRH the Prince of Wales.


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‘That’s what I will miss a lot, getting lost together’: ArtAttack interviews Jan Hendrix

Maestro Arts in collaboration with Shapero Modern are delighted to bring you Dutch architect and artist, Jan Hendrix’s, first UK solo exhibition BOOK VI: Heaney Hendrix. The exhibition will showcase the artist’s most recent working partnership with renowned Irish poet, playwright and translator, Seamus Heaney.

The Aeneid Book VI, Jan Hendrix with Seamus Heaney, G. 2016, silkscreen on silver leaf, 117 x 38 cm. folded, c. the artists, courtesy of Shapero Modern and Maestro Arts

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Festive Cultural Traffic comes to East London!

Just in time for your last minute Christmas shopping, Juju’s presents Festive Cultural Traffic from 17-18 December, 2016.


The counter culture event returns to the Truman Brewery and adjacent Spitalfields market once again, offering a broad vivid experience away from the dull predictable mainstream Christmas shopping options, providing an opportunity to engage with the past present and future of counter culture at an affordable level for that perfect gift.

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The Hunt Through New Eyes: Hugo Wilson at Shapero Modern

Shapero Modern is delighted to present their upcoming exhibition, Chroma hunt, a collection of hand-coloured etchings by renowned British artist, Hugo Wilson.

A portfolio of nine etchings will be on view at the Mayfair gallery, all of which are related to the artist’s most recent painting series portraying the most primal of all human rituals, the hunt.

It is important to recognise the history of hunting paintings when considering this work; hunting scenes were popular with wealthy collectors in the seventeenth and eighteenth centuries. They represented a sort of ‘trophyism’ as well as a physical way of displaying man’s mastery over the natural world.

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Hunt IV, 2016, hand-coloured etching and aquatint on Velin Arches Blanc 400gsm. Courtesy of the Artist and Shapero Modern.

Wilson’s etchings for this exhibition are based on, or inspired by, famous hunting paintings by old masters including Rubens and Stubbs, but instead of the typical narrative of man vs. beast, they illustrate strange and unlikely events where lions, crocodiles and other fierce creatures have been trained to hunt other animals. The human hunter remains entirely unseen.

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