Disco Ball Soul: ArtAttack Interviews Emma Elizabeth Tillman

Opening on 11 August 2017 is photographer Emma Elizabeth Tillman’s debut solo show entitled Disco Ball Soul. The exhibition, consisting of more than 90 collages created over a ten-year period, is an accumulation of photographs and texts taken from her new book of the same title. Tillman began this body of work in 2007, recording precious moments, including her meeting of her now husband Josh.

1. Louisville, Kentucky, 2012 © Emma Elizabeth Tillman, by courtesy of the artist.jpg
Louisville, Kentucky, 2012 © Emma Elizabeth Tillman, by courtesy of the artist

ArtAttack caught up with Emma to find out more about her thoughts on film, travel and making the private public.

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It’s that time of year again! Head to the Vauxhall Art Car Boot Fair This Sunday!

It’s that time of year again! The annual Vauxhall Art Car Boot Fair is back, this time in its namesake of Vauxhall on SUNDAY, 9 JULY 2017 from 12 – 6pm.

This year’s brand-new theme, ‘The Original,’ promises to be a prime opportunity to snap up one-of-a-kind original as well as limited edition artworks all for a fraction of their usual prices. The one-day festival will take place in the streets of Vauxhall’s vibrant new gallery district with the support of Newport Street Gallery and U+I Plc, and will present an eclectic line-up of over one hundred artists who will be selling exclusive pieces from the boots of both new and vintage Vauxhall cars.

James Joyce, Hot Air, Acrylic on canvas, 35 x 45cm, £750.jpg
James Joyce, Hot Air, Acrylic on canvas, 35 x 45cm, £750

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‘An elegant dance’ between poetry and art: Robert Perkins’s ‘The Written Image’

Thursday 24th May sees the opening of Robert Perkins: The Written Image at Benjamin Spademan Rare Books, the first of a two-part exhibition of the American artist’s 45-year collaboration with poets.

From Seamus Heaney to Allen Ginsberg, Perkins has worked with the best of the best when it comes to the world of poetry. In fact, his journey began back in the 1970’s when he was a student at Harvard University and took poet, Elizabeth Bishop’s creative writing seminar. Perkins explains that when he told Bishop that he’d always wanted to be an artist, she wrote out a copy of her poem The Fish and asked him to illustrate it.

This assignment launched The Written Image, which Perkins describes as ‘self-portraits of the poet in the moment.’ To begin a work, he takes the poet’s hand-written text and then melds it with his own imagery, thus constructing a visual representation around the words.

11. Robert Perkins, Jon Galassi, Knot, 2000 © Robert Perkins. Courtesy the Artist and Benjamin Spademan Rare Books. Photo by Louie Fasciolo.jpg
Robert Perkins, Jon Galassi, Knot, 2000 © Robert Perkins. Courtesy the Artist and Benjamin Spademan Rare Books. Photo by Louie Fasciolo

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ArtCircle presents a pop-up with substance and we interview curator, Bettina Ruhrberg

May 19th sees the private view of the first show from the revolutionary new arts platform, ArtCircle. Taking the pop-up exhibition format but injecting it with a real dose of the high brow — think museum quality work, top notch curators and posh postcodes only — ArtCircle will no doubt finally solve the conundrum of fitting a brand new business concept seamlessly into the restrictive and not always welcoming art world.

The launch exhibition, which will take place at 48 Albemarle Street in London’s Mayfair, is entitled Focusing Room and will feature work straight from the Museum of Modern Art in Goslar Germany, mainly from the Zero, Kinetic Art and Op Art schools. Much of the art has never before been seen in the UK, so ArtCircle, with the help of curator, Bettina Ruhrberg, is bringing us something truly special.

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Adolf Luther, Der Fokussierender Raum (Focusing Room), 1968

We had the chance to speak with Bettina, who is the director of the MoMA in Goslar about her experiences as a curator, her goals for this exhibition and her thoughts on the ArtCircle concept.

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A fantasy of literature and art: Stephen Chambers’s ‘The Court of Redonda’ at the Biennale Arte

A fictitious royal court, a symphony of colour and a capricious cast of characters join together to create a fantasy constructed from literature and art — this is Stephen Chambers‘s monumental presentation, The Court of Redonda, currently on view as an Official Collateral Event of the 57th International Art Exhibition La Biennale di Venezia.

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Installation view, The Court of Redonda at Ca’ Dandolo. Photo by  FS@SCS.
The show which is presented by the Heong Gallery at Downing College, University of Cambridge and curated by Emma Hill takes its home at Ca’ Dandolo on the Grand Canal from now until 26th November, showcasing 101 portraits that represent a utopian society dominated by creators and known as Redonda.

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Essex Road III: video exhibition comes back for more!

Back for its third year running, Tintype presents Essex Road III, 8 specially commissioned short films that each delve into the iconic North London street from which the exhibition takes its name.

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Essex Road II, 2015. Photo: Josh Redman, courtesy Tintype

Whether it’s Susan Collins‘ ‘Wildlife’ depicting the various creatures (real and not) that inhabit the neighbourhood, or Lynn Marsh‘s ‘Resurrection Restoration’ filmed on location at Gracepoint during the restoration of a former 1930’s cinema and incorporating a gospel choir, each of the 8 contemporary artists who’s work will be screened through the front windows of the gallery, has approached the brief in their own unique manner.

26.Andrea Luka Zimmerman, Lower Street- A Night Journey (still) 2016 © the artist, courtesy Tintype.jpg
Andrea Luka Zimmerman, Lower Street – A Night Journey (still) 2016 c. the artist, courtesy Tintype

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The Hunt Through New Eyes: Hugo Wilson at Shapero Modern

Shapero Modern is delighted to present their upcoming exhibition, Chroma hunt, a collection of hand-coloured etchings by renowned British artist, Hugo Wilson.

A portfolio of nine etchings will be on view at the Mayfair gallery, all of which are related to the artist’s most recent painting series portraying the most primal of all human rituals, the hunt.

It is important to recognise the history of hunting paintings when considering this work; hunting scenes were popular with wealthy collectors in the seventeenth and eighteenth centuries. They represented a sort of ‘trophyism’ as well as a physical way of displaying man’s mastery over the natural world.

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Hunt IV, 2016, hand-coloured etching and aquatint on Velin Arches Blanc 400gsm. Courtesy of the Artist and Shapero Modern.

Wilson’s etchings for this exhibition are based on, or inspired by, famous hunting paintings by old masters including Rubens and Stubbs, but instead of the typical narrative of man vs. beast, they illustrate strange and unlikely events where lions, crocodiles and other fierce creatures have been trained to hunt other animals. The human hunter remains entirely unseen.

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HIX Award Winner Announced!

Huge congratulations to Joshua Raz, Newcastle University grad and official winner of this year’s prestigious HIX Award.

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Joshua Raz, Indoor Outdoor Tropics, Oil paint and gold leaf on canvas, 2016

Launched in 2013, the HIX Award was conceived by famed restaurateur Mark Hix and the director of CNB GalleryRebecca Lidert. It is specifically designed for emerging artists in the hopes that it can be their first step towards a career after university.

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