This Sunday 5th November marks the opening of Duton’s third edition of their Appreciation of China exhibition to take place at the Grosvenor House Hotel until 8th November.
Entitled The Exhibition of Chinese Legacy, the presentation will feature a rare array of ceramic and sculptural masterpieces that have received praise from Chinese and international museums alike. The collections range from painted potteries from the Neolithic period and the Northern Qi Dynasty to Tang Dynasty horses, camels and auspicious beasts.
This key event launching Asian Art in London reflects Duton’s essential role as a platform for authentic and exquisite Chinese art and culture. A rare glimpse into the origin of Chinese art, each artwork on view is certified by Oxford Authentication, with many dating as far back as the old Tang and Song dynasties. The hero piece of the exhibition is a monolithic pair of painted horses, each 90 centimeters in height, the likes of which would be extraordinary to find even in the most prestigious of institutional collections.
As the first Asian art company to arrive in Europe, Duton’s (est. 1999) is the first and premier Chinese auction house in the UK. Their Chairman, Mr. Du, a leading voice for Chinese art and antiquities, was vastly ahead of his contemporaries with his vision to bridge the longstanding cultural histories of China and Britain.
Against the contemporary backdrop of Asian Art in London, a key event in the British social diary, Duton’s will invigorate these important art objects with renewed cultural relevance. Unique to the location, Grosvenor House Hotel hosted the first ever exhibition of Chinese art in London in 1935. The event is a trusted partner of the Cultural Office of the Chinese Embassy, and will be attended by high profile members of British and Chinese society. Integrating Chinese art into the greater international art community is at the heart of Duton’s mission.
ArtAttack had the honour of interviewing the renowned Chinese contemporary duo The Zhou Brothers during their recent trip to London. We met them at The Langham Hotel to hear more about their lives, artistic practise and future plans.
The Zhou Brothers are one of the most accomplished contemporary artists in the world today, renowned for their unique collaborative work process. They work together on their paintings, performances, sculptures, and prints, often communicating without words in a so-called dream dialogue. Their thinking, aesthetic, and creativity are a symbiosis of Eastern and Western philosophy, art and literature that informed their development since early childhood.
Sinclair Global, a global luxury marketing consultancy providing bespoke experiences across the spheres of art and culture, fashion, gourmet and lifestyle, invited the world renowned Zhou Brothers to London to collaborate with Louis Vuitton.
A reception took place at The Langham Hotel, welcoming the Zhou Brothers to the inner sanctum of London, before their exclusive event at the secret Louis Vuitton Maison, New Bond Street with an artist talk conducted by Sotheby’s, London.
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Renowned Chinese artist, Yiming Min, will make his UK debut next week with a sculpture and painting exhibition entitled ‘Therefore‘ presented by Very Art Space. The show will usher viewers into a machine-made yet natural world including a large-scale installation, sculptures and a suite of oil paintings.
The inspiration for the works is Yiming’s studio in Xiamen, China, which is located within a natural oasis of trees and wildlife, whilst still only 100 metres away from a bustling port city — the juxtaposition between man and nature informs the work. In his own words, Yiming seeks to examine the “coherence of perception between humanity and the natural world.”
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After too many sunny days to count, it seems the rain has returned to London, so this morning I regretfully swapped a summer dress for leggings and flannel and trudged forward, once more, unto the gloom. Thankfully, the rest of my day was not to be so dreary as I finally made my way to S|2, Sotheby’s intimate St. George Street gallery, for their current exhibition, ‘Henry Hudson: The Rise and Fall of Young Sen.’
Having not done my proper research prior, I didn’t initially realise that this was a narrative series, so the first work I cast eyes on was in fact the second of the story. I stared in awe, whilst simultaneously gaping in horror at the sight before my eyes — heavily textured guts and curling intestines spilling out of a female body being dissected at King’s Cross medical school. The graphic nature of the piece is really astounding, and the detail Hudson achieves with the plasticine medium is ultra impressive.
I soon found my way back to the beginning of the series, and painting by painting, accompanied our protagonist, Young Sen, on his life’s journey, from his humble beginnings in a Chinese factory town, to fulfilling his parents’ dream of attending medical school in London, his decision to follow his own dream instead and become an artist, a love affair, a marriage, his first NYC gallery opening, drugs, parties, rehab and finally back to China to make a political difference through his art.
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