Opening on 11 August 2017 is photographer EmmaElizabethTillman’s debut solo show entitled Disco Ball Soul. The exhibition, consisting of more than 90 collages created over a ten-year period, is an accumulation of photographs and texts taken from her new book of the same title. Tillman began this body of work in 2007, recording precious moments, including her meeting of her now husband Josh.
ArtAttack caught up with Emma to find out more about her thoughts on film, travel and making the private public.
Inspired by the Richard Brautigan cult classic, Sombrero Fallout: A Japanese Novel, young artist Lilias Buchanan has created a series of exquisitely detailed paintings to be debuted at Shapero Modern from 29th March – 11th April, 2017.
After reading Brautigan’s 1976 novel, Lilias became almost obsessed by the narrative, stopping people in the street who resembled its characters and practically buying eBay out of sombrero postcards. The result is this upcoming exhibition of technical, charming and at times chilling artworks.
Familiar desert landscapes intertwine with striking elements of collage and pencil drawings depicting strange encounters. Not having read the book makes it a bit tricky to figure out what’s going on, but somehow at the same time seems to make the work all the more intriguing.
‘Logic’ Courtesy of the Artist and Shapero Modern.
‘AZ 1492! Sombrero Town’ Courtesy of the Artist and Shapero Modern.
We were delighted to be able to speak with Lilias about her practice, this body of work and what’s to come for the London-based artist, whose work is already in the collection of HRH the Prince of Wales.
ArtAttack is proud to present our latest ‘Artist of the Week’, Ashley Bonser. Artists of the week are selected by the ArtAttack team from the diverse and eclectic group of artist users on our app.
Ashley Bonser is a visual artist who currently lives and works in Western Australia. She is a multidisciplinary artist, creating works with illustration, collage and print media. Her practise focuses on creating collage works that showcase the human body, demonstrating the connectivity human beings have with one another. Her work aims to present her subjects as intertwined, to show our ability to empathise and connect with each other. Using found imagery from magazines, she interprets images of people into a singular form.
I had the chance to talk to Ashley about her career so far, and find out more about her artistic practise.
From felted dogs humping in discreet corners, to a bathtub turned garden and replicated airline cabin complete with a not-so-typical safety video, I don’t think I’d be exaggerating to say that this show has it all, including some stunning painting and touching installation to boot. Furthermore, it is clear the students this year did not shy away from risk, but rather embraced it wholeheartedly. This fearlessness is obvious in the work and makes for a compelling, innovative and thrilling few hours of art.
In case it’s not already completely obvious, I love photography. Perhaps it’s my background in film, or the fact that the first time I can remember longing for love was when I set eyes on Robert Doisneau‘s photograph ‘Le Baiser de l’hôtel de ville,’ but whatever the reason, the medium has always been one I connect with.
And so last evening, I followed my passion for photo all the way to Shoreditch for the private view of Austrian artist, Anita Witek‘s, first UK solo show, ‘How to work live better‘ at l’étrangère gallery. Anita’s work in this exhibition, which combines montage, photography and installation, explores the manipulative nature of the photographic medium. By cutting and combining diverse photographic elements from printed sources that include magazines, newspapers, posters and books, Anita creates something wholly invented and completely new. So while the piece we are looking at it may very well appear to be, for example, a contemporary interior, it is actually just a fictional scene produced by a layering of utterly non-related material.