It’s that time of year again! The annual Vauxhall Art Car Boot Fair is back, this time in its namesake of Vauxhall on SUNDAY, 9 JULY 2017 from 12 – 6pm.
This year’s brand-new theme, ‘The Original,’ promises to be a prime opportunity to snap up one-of-a-kind original as well as limited edition artworks all for a fraction of their usual prices. The one-day festival will take place in the streets of Vauxhall’s vibrant new gallery district with the support of Newport Street Gallery and U+I Plc, and will present an eclectic line-up of over one hundred artists who will be selling exclusive pieces from the boots of both new and vintage Vauxhall cars.
The HIX Award is back this year and more exciting than ever with a £10,000 cash prize to be awarded to the overall winner thanks to new sponsors Coutts and Baxterstory! The award itself is even designed by art world legend DamienHirst so artists, we’d suggest you get submitting as soon as possible!
The annual emerging art award, which is open to current students and recent graduates of UK art colleges alike, was created five years ago by restaurateur and art aficionado, MarkHix, to give young artists a platform to showcase their work and take their first steps in their professional careers.
On Friday 19th May Gallery DIFFERENT will present 35-year-old contemporary painter, Tarek Sebastian Al-shammaa’s debut solo show Fall of Europe II (until 22nd May).
We at ArtAttack stumbled upon Tarek’s artwork last year and have been great admirers of his painting practice ever since. His painterly use of space is quite extraordinary, filling the canvas with symbols and figures that tell stories of our world within the greater context of mythology. Each tiny element he chooses to include says something powerful. No iconography is wasted.
The artist’s main practice is history painting as he explores historical and mythological subject matter juxtaposing it with the harsh realities contemporary Western society. Within each of the epic paintings he presents the viewer with poignant psychological insight into his own life and heritage; Al-shammaa is half French and half Iraqi, and so has found himself straddling two oft-opposing cultures throughout his life.
Recurring themes across the young artist’s paintings include consumerism, war, love, lust and political oppression, as well as the opposition and even conflict of Western and non-Western culture and ideals. In the body of work on view, Alshammaa depicts everything from iconic myths like that of the Tower of Babel to mythical iconography such as Mother Earth, all within a present-day context.
ArtAttack contributor, Franzi Gabbert, had the chance to interview Al-shammaa in regards to his upcoming exhibition as well as his general practice.
The Horiuchi Foundation will soon present a series of photographs by Tomohiro Muda as part of an exhibition entitled Icons of Time: Memories of the Tsunamithat Struck Japan.
This will be the renowned Japanese photographer’s first exhibition in the UK and appropriately falls on the six year anniversary of the earthquake and tsunami that hit Japan’s northeastern coast on 11 March, 2011. The photographs on view will be shown at the recently restored and reopened Fitzrovia Chapel, a stunning Grade II* listed building which was previously the chapel for the old Middlesex Hospital. The exhibition will also form a satellite event for Photo London fair, which runs at Somerset House from 17 – 21 May and be part of Fitzrovia Photo London Discovery Night, when the participating galleries in the fair will stay open until 8:30pm.
Monday 24th April sees the private view of Brains & Lip Takeover at East London’s emerging art hotspot,CNB Gallery. The all-woman exhibition, which showcases the work of nine fantastic artists, is curated by Claire Orme and Alice Steffen, the creative duo behind Brains & Lip.
Controversial, brash and witty, the artworks on view challenge and reclaim what it means to be a woman in contemporary society. The subversive painting, illustration and sculpture that feature in the exhibition explore discourses of identity, sexuality and female empowerment, resisting the restrictive expectations of the elitist, patriarchal art world.
We were thrilled to be able to speak with the two visionaries behind the ‘takeover’ in advance of next week’s exhibition.
Maestro Arts in collaboration with Shapero Modern are delighted to bring you Dutch architect and artist, JanHendrix’s, first UK solo exhibition BOOKVI:HeaneyHendrix. The exhibition will showcase the artist’s most recent working partnership with renowned Irish poet, playwright and translator, SeamusHeaney.
Just in time for your last minute Christmas shopping, Juju’s presents Festive Cultural Traffic from 17-18 December, 2016.
The counter culture event returns to the Truman Brewery and adjacent Spitalfields market once again, offering a broad vivid experience away from the dull predictable mainstream Christmas shopping options, providing an opportunity to engage with the past present and future of counter culture at an affordable level for that perfect gift.
Back for its third year running, Tintype presents Essex Road III, 8 specially commissioned short films that each delve into the iconic North London street from which the exhibition takes its name.
Whether it’s Susan Collins‘ ‘Wildlife’ depicting the various creatures (real and not) that inhabit the neighbourhood, or Lynn Marsh‘s ‘Resurrection Restoration’ filmed on location at Gracepoint during the restoration of a former 1930’s cinema and incorporating a gospel choir, each of the 8 contemporary artists who’s work will be screened through the front windows of the gallery, has approached the brief in their own unique manner.
Shapero Modern is delighted to present their upcoming exhibition, Chroma hunt, a collection of hand-coloured etchings by renowned British artist, Hugo Wilson.
A portfolio of nine etchings will be on view at the Mayfair gallery, all of which are related to the artist’s most recent painting series portraying the most primal of all human rituals, the hunt.
It is important to recognise the history of hunting paintings when considering this work; hunting scenes were popular with wealthy collectors in the seventeenth and eighteenth centuries. They represented a sort of ‘trophyism’ as well as a physical way of displaying man’s mastery over the natural world.
Wilson’s etchings for this exhibition are based on, or inspired by, famous hunting paintings by old masters including Rubens and Stubbs, but instead of the typical narrative of man vs. beast, they illustrate strange and unlikely events where lions, crocodiles and other fierce creatures have been trained to hunt other animals. The human hunter remains entirely unseen.