From 20th May, the De La Warr Pavilion will present Safari: An exhibition as expedition, an anthology of works by the British artist, Simon Patterson.
Interspersed throughout the gallery space and hence taking the viewers on their own mini safari, the works on view will span a quarter century of Patterson’s career and feature wall drawings, sculpture, prints, photographs video and installation, as well as a public intervention, a site-specific commission and on opening day, a staged sea battle in collaboration with Bexhill Sailing Club!
ArtAttack first came upon artist Graeme Messer‘s work at this year’s The Other Art Fair in London. We were drawn in by his witty and unique mirror works made for the fair and knew instantly this was an artist we wanted to watch.
After requesting to interview him for this very blog, Graeme let us know about a special project close to his heart; We R is an upcoming art exhibition exploring the meaning of LGBT identity and celebrating difference. Launching during Pride Week London, the show at Espacio Gallery will include nineteen artists from all different cultures and nationalities contributing to a really authentic representation of the diversity and fullness of the LGBT community.
The goal is to to reach out to the many people who find it difficult to be their true selves and to challenge viewers to believe and remember that being different is an inalienable right.
In the words of exhibition curators, Bettina Stuurman and Joao Trindade, ‘We always talk about equality and whilst it may be important to have have the same rights, we really wanted to show how you must celebrate difference. We are proud of this collection which reminds us to think about the present representation of the LGBT community. We want people to leave the exhibition feeling positive, excited and remembering their own unique nature – and this is what we hope the art has captured.’
We decided to chat with Graeme about We R as a preview for our readers to this sure-to-be powerful and moving exhibition.
Chelsea College of Arts student, Caley Holmboe, has a flip phone and no Instagram profile. When I fell in love with a sculpture of hers at last year’s 2nd year show, I had to tweet at the Chelsea student union to get her contact information. When Caley receives an email, it comes to her laptop only. When Caley sends a text, she has to use the numbers as letters just like you did on your old Nokia circa 2004.
Her complete lack of online presence in an increasingly digital world, is something that makes Caley stand out immensely, and I wanted to know how and why she made the practically unheard of choice to be almost totally offline.
It turns out that the lifestyle choice started an experiment and a work of art. I like to call it ‘The Unplug Project,’ but the formal name of the piece is ‘I Want to Break Up.’
I had the chance to speak with Caley about this fascinating project, which ended up extending into her daily life. You’ll notice this is a much longer interview than those we normally publish, but I encourage you to read every word as it really is a supremely interesting look into a very non-traditional choice.
ArtAttack had the honour of interviewing the renowned Chinese contemporary duo The Zhou Brothers during their recent trip to London. We met them at The Langham Hotel to hear more about their lives, artistic practise and future plans.
The Zhou Brothers are one of the most accomplished contemporary artists in the world today, renowned for their unique collaborative work process. They work together on their paintings, performances, sculptures, and prints, often communicating without words in a so-called dream dialogue. Their thinking, aesthetic, and creativity are a symbiosis of Eastern and Western philosophy, art and literature that informed their development since early childhood.
Sinclair Global, a global luxury marketing consultancy providing bespoke experiences across the spheres of art and culture, fashion, gourmet and lifestyle, invited the world renowned Zhou Brothers to London to collaborate with Louis Vuitton.
A reception took place at The Langham Hotel, welcoming the Zhou Brothers to the inner sanctum of London, before their exclusive event at the secret Louis Vuitton Maison, New Bond Street with an artist talk conducted by Sotheby’s, London.
It’s not often one sees an artwork that is truly unlike any art one has ever experienced in the past, but I can say with certainty that such was the case for me with William Kentridge: More Sweetly Play the Dance at Marian Goodman, London. In fact, the work from which the exhibition borrows its’ title, an 8-screen film piece described by the gallery as ‘dance macabre,’ is perhaps the most inspiring work of art I’ve ever seen, and one that has pleasantly haunted me in the two weeks since I visited the show.
The experience goes something like this: After admiring a series of stunning, mostly black and white, paintings downstairs, which blend Chinese cultural artifacts with images of flowers painted on found paper swimming in Chinese characters, you enter a room, which introduces you to Kentridge’s video art.
The last day of August not only marked a day off work, another rainy London Monday and the end of summer 2015, but also the night that ArtAttack finally visited Banksy’s Dismaland Bemusement Park.
For those who don’t know, Dismaland is the infamous street artist’s latest project, an exhibition he’s curated that will be on view at the old Tropicana pool in Weston-Super-Mare for the next 5 weeks. As the name implies, this show takes the familiar theme park concept, and turns it upside down; Instead of a world where we can escape reality like its’ namesake, Disneyland, Dismaland sort of rubs reality in our face. It forces us to stop pretending the problems around us are not our problems and makes us reflect upon the consequences of inaction and indifference to global issues.
And so Degree Show season continues! Last evening, Tuesday 2nd June, I attended University of Westminster‘s Mixed Media Fine Art show, ‘Names‘, where a cool basement vibe and huge crowd set the scene for lots of great work.
Almost maze-like, the underground exhibition space seemed never-ending, with more art greeting me around every corner, and even one exceptional piece all the way up on the fourth floor.
This work, by Pascal Colman, literally leads you on a treasure hunt to find it — standard white paper with doodled arrows pointing you down a hallway, up three flights of stairs, then into a lift and down a long corridor. But once inside, the soundscape piece is well worth the effort, perhaps even more meaningful due to the journey. We are hoping to interview the artist on this extraordinary work for an upcoming blog, so for now we’ll say no more.
In any case, here are some of my other favourite works from the show:
This is definitely the most dramatic piece in the exhibition, and I absolutely love it. It feels like Alexander McQueen meets ‘Black Swan‘ meets Jackson Pollock. The photo definitely does it no justice. Continue reading →