This Saturday 1st July sees the opening of Lubaina Himid: Warp and Weft, a survey of works by the 2017 Turner Prize nominee at Firstsite gallery in Colchester.
A key figure in the Black Arts Movement, Himid first came to prominence in the 1980s when she began organising exhibitions of work by her peers, who were underrepresented in the contemporary art scene. Her diverse approach disrupts preconceptions of the world by introducing historical and contemporary stories of racial bias and acts of violence inflicted upon oppressed communities.
On Friday 19th May Gallery DIFFERENT will present 35-year-old contemporary painter, Tarek Sebastian Al-shammaa’s debut solo show Fall of Europe II (until 22nd May).
We at ArtAttack stumbled upon Tarek’s artwork last year and have been great admirers of his painting practice ever since. His painterly use of space is quite extraordinary, filling the canvas with symbols and figures that tell stories of our world within the greater context of mythology. Each tiny element he chooses to include says something powerful. No iconography is wasted.
The artist’s main practice is history painting as he explores historical and mythological subject matter juxtaposing it with the harsh realities contemporary Western society. Within each of the epic paintings he presents the viewer with poignant psychological insight into his own life and heritage; Al-shammaa is half French and half Iraqi, and so has found himself straddling two oft-opposing cultures throughout his life.
Recurring themes across the young artist’s paintings include consumerism, war, love, lust and political oppression, as well as the opposition and even conflict of Western and non-Western culture and ideals. In the body of work on view, Alshammaa depicts everything from iconic myths like that of the Tower of Babel to mythical iconography such as Mother Earth, all within a present-day context.
ArtAttack contributor, Franzi Gabbert, had the chance to interview Al-shammaa in regards to his upcoming exhibition as well as his general practice.
ArtAttack first came upon artist Graeme Messer‘s work at this year’s The Other Art Fair in London. We were drawn in by his witty and unique mirror works made for the fair and knew instantly this was an artist we wanted to watch.
After requesting to interview him for this very blog, Graeme let us know about a special project close to his heart; We R is an upcoming art exhibition exploring the meaning of LGBT identity and celebrating difference. Launching during Pride Week London, the show at Espacio Gallery will include nineteen artists from all different cultures and nationalities contributing to a really authentic representation of the diversity and fullness of the LGBT community.
The goal is to to reach out to the many people who find it difficult to be their true selves and to challenge viewers to believe and remember that being different is an inalienable right.
In the words of exhibition curators, Bettina Stuurman and Joao Trindade, ‘We always talk about equality and whilst it may be important to have have the same rights, we really wanted to show how you must celebrate difference. We are proud of this collection which reminds us to think about the present representation of the LGBT community. We want people to leave the exhibition feeling positive, excited and remembering their own unique nature – and this is what we hope the art has captured.’
We decided to chat with Graeme about We R as a preview for our readers to this sure-to-be powerful and moving exhibition.
Earlier this month, ArtAttack visited The Other Art Fair at Victoria House, London. Strolling through the press preview, we were truly overwhelmed by the vast quantity of excellent work being presented, and made it our mission to speak to every artist who’s art spoke to us in some way.
We decided to interview these artists to give our readers an inside look into the creators behind our favourite works from the fair.
Our first interview in this exciting series, is with artist, Orson Kartt, who shares with us, among other things, personal stories of his difficult entrance into the art world.
ArtAttack had the honour of interviewing the renowned Chinese contemporary duo The Zhou Brothers during their recent trip to London. We met them at The Langham Hotel to hear more about their lives, artistic practise and future plans.
The Zhou Brothers are one of the most accomplished contemporary artists in the world today, renowned for their unique collaborative work process. They work together on their paintings, performances, sculptures, and prints, often communicating without words in a so-called dream dialogue. Their thinking, aesthetic, and creativity are a symbiosis of Eastern and Western philosophy, art and literature that informed their development since early childhood.
Sinclair Global, a global luxury marketing consultancy providing bespoke experiences across the spheres of art and culture, fashion, gourmet and lifestyle, invited the world renowned Zhou Brothers to London to collaborate with Louis Vuitton.
A reception took place at The Langham Hotel, welcoming the Zhou Brothers to the inner sanctum of London, before their exclusive event at the secret Louis Vuitton Maison, New Bond Street with an artist talk conducted by Sotheby’s, London.
ArtAttack sat down with London-based, American artist Raymond Salvatore Harmon (of whom we are now proud collectors!) to learn about his latest gripping work, ‘Elliptical Confinement’, hear his expert tips for young London artists and generally take in his vast art world wisdom.
ArtAttack: What is your earliest memory of art, and what made you decide to pursue it as a career?Continue reading →
After too many sunny days to count, it seems the rain has returned to London, so this morning I regretfully swapped a summer dress for leggings and flannel and trudged forward, once more, unto the gloom. Thankfully, the rest of my day was not to be so dreary as I finally made my way to S|2, Sotheby’s intimate St. George Street gallery, for their current exhibition, ‘Henry Hudson: The Rise and Fall of Young Sen.’
Having not done my proper research prior, I didn’t initially realise that this was a narrative series, so the first work I cast eyes on was in fact the second of the story. I stared in awe, whilst simultaneously gaping in horror at the sight before my eyes — heavily textured guts and curling intestines spilling out of a female body being dissected at King’s Cross medical school. The graphic nature of the piece is really astounding, and the detail Hudson achieves with the plasticine medium is ultra impressive.
I soon found my way back to the beginning of the series, and painting by painting, accompanied our protagonist, Young Sen, on his life’s journey, from his humble beginnings in a Chinese factory town, to fulfilling his parents’ dream of attending medical school in London, his decision to follow his own dream instead and become an artist, a love affair, a marriage, his first NYC gallery opening, drugs, parties, rehab and finally back to China to make a political difference through his art.