ArtAttack is Crowdfunding!

Today is the day! ArtAttack‘s Crowdcube crowdfunding campaign has just gone live!

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For those who didn’t know, our team has decided to crowdfund to raise £100,000 to enable us to continue to grow, bring more fantastic artists on board and make the app even better. The fundraising is through HMRC’s incredibly generous SEIS scheme, more on that here.

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The Art Car Boot Fair Comes to Hastings!

To kick off the British summer, which let’s be honest has JUST started, don’t miss the always fabulous Vauxhall Art Car Boot Fair, this time in Hastings for the first time ever. Taking place on 16 July, the event, as always, will feature a number of big name artists including John Cooper ClarkeGavin TurkMarcus Harvey, Sir Peter Blake and Sir Quentin Blake. All of these artists will be at the event selling their prized editions at a friendly price. 

Other artists participating include: Keith CoventryMartin Creed, HelenA Pritchard, Rachel Howard, Tracey Emin, and – for the first time – Mr Bingo.

15. Vauxhall Art Car Boot Fair Margate 2015, Photo Anthony Devlin_ The Press Association.JPG
Vauxhall Art Car Boot Fair Margate, 2015, Photo Anthony Devlin, The Press Association

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‘My work explores the anti, unfixed and impermanent’ – ArtAttack Meets HelenA Pritchard

TJ Boulting presents the gallery’s first solo show with South African artist HelenA Pritchard.

3. HelenA Pritchard, Untitled Encounters, 2016 © HelenA Pritchard, Courtesy the artist and TJ Boulting
Untitled Encounters, 2016 | © HelenA Pritchard. Courtesy the artist and TJ Boulting

A 2011 graduate from the Royal College of Art MA in Painting, since then her work has expanded beyond the realms of painting into the sculptural, the object and most recently beyond that into the extra dimension of light. The common thread between them all being her utilisation of form, colour and material.

I had the chance to speak with Helen about her artistic practise and upcoming exhibition.

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‘Everybody wants to own that unique piece that no-one has yet; and that is to be found in the Primary Market’ – ArtAttack meets Verena Schneider

Back in January ArtAttack visited The London Art Fair, and we were delighted with what we saw. A real highlight was visiting Venet-Haus Galerie’s stand, filled with various works including spectacular sculptures by Dee Sands and exciting pieces by contemporary photographer Dieter Blum. We also had the pleasure of being greeted by the wonderful Managing Director Verena Schneider and her colleague Terence Carr.

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Verena Schneider | Courtesy Venet-Haus Galerie

The Venet-Haus Gallery was founded in 2007. The gallery focuses on comprehensive, contemporary painting and sculpture of international repute. Over the years, well-known artists like Dieter Blum, Günther Ücker, Bernar Venet and Dietrich Klinge have featured prominently. In 2013, the gallery came under the present management. They saw it as an exciting challenge to discover talented young artists, for example Johann Büsen, Kristian Evju or Barbara Anna Husar and promote them alongside the already established.

I had the chance to speak to Verena about the gallery, her advice for new collectors, and their future plans.

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‘I was holding one of his pineapple grenades when it struck me how small and beautiful it was’ – K-tee at CNB Gallery

CNB Gallery, presents an exhibition of new works by British artist K-tee.

K-tee has long used weaponry in her work, and in this show she takes the distinctive American army MK II hand grenade, known colloquially as the ‘pineapple’, to create a series of small and medium-scale sculptures.

2. K-tee, Milk Whole, 2016 © K-tee. Courtesy the artist and CNB Gallery
K-Tee, Milk Whole, 2016 | © K-tee. Courtesy the artist and CNB Gallery

I had the chance to speak with K-tee about her artistic practice and upcoming exhibition.

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‘Who says a mathematician can’t be creative?’ ArtAttack interviews ‘Metamorphosis’ co-curators Olivia Bladen & Alice Procter

Last year, for their annual exhibition, the UCL Art Society, put on a fantastic show entitled ‘Escape,’ which left ArtAttack impressed and inspired. So with this year’s show, ‘Metamorphosis,’ just a few days away, we jumped on the opportunity to interview exhibition director’s Olivia Bladen (ArtAttack’s own!) and Alice Procter to gain some insight into the curatorial process and what we can expect from this exciting emerging art exhibition.

ArtAttack: So ‘Metamorphosis’ is the theme for this year’s show. Can you tell me how this idea came about and what it means to you?

Alice Procter: As strange as it sounds… We were eating gnocchi in a park last summer, throwing words at each other in the hope that something would stick. I don’t remember who said Metamorphosis first, but it just made so much sense. We wanted something open, that anyone could look at and say, ‘okay, how can I relate this to my work?’, because every artist is always making a change or transforming something. It felt like a way of encouraging our members to step back and look at the process behind their work.

Olivia Bladen: We went through a long list of words it could be! Previous exhibitions had names such as Alchemy and Escape, and we wanted to keep the theme true to those vibes; something that was open enough to be accessible to anyone, but would still provide direction. As the curators, it helps to have a unifying aspect, obviously. But as Alice said, the process of change is inherently an artistic one, so none of the submissions felt really out of place.

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‘Better to buy the best of a less well known artist than a bad work by a big, fashionable name’ – ArtAttack meets Guy Stair Sainty

In light of Stair Sainty Gallery’s current exhibition FEDERICO BELTRAN MASSES: UNDER THE STARS, we spoke to founder and renowned dealer Guy Stair Sainty about the gallery and the current state of the market.

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F. Beltran Masses, Maja Maldita, 1918 | Courtesy Stair Sainty Gallery

Guy opened his first public gallery in New York in 1982 and quickly made his name as a specialist in 18th and 19th century French painting, before gradually expanding into Spanish and Italian painting of the 17th, 18th and early 19th centuries. Guy served for seven years as a member of the Art Advisory Panel of the Commissioner of the US Internal Revenue Service, and is a former Vice-President of the Private Art Dealer’s Association.

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